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Randy Bachman, BTO, and the birth and long life of classic rock

Rock legend back on the road for multiple B.C. tour dates
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ѻýClassicѻý Rock, as a term, is a bit of misnomer. Rock isnѻýt a language that no one speaks anymore. Rock music is ageless, organic, hardworking, vital, and speaks a language that everybody understands, and sings along to.

That said, there is something about the music of the late ѻý60s and early ѻý70s that defines guitar-based rock ѻý a driving energy and unprecedented songwriting that really warrants the term ѻýclassic.ѻý

You can ask Randy Bachman, who was at the forefront of the creation of the genre. He and his bands, like Bachman Turner Overdrive, helped define rock in the early ѻý70s. That sound, and those songs, are going rock Western Financial Place in Cranbrook when BTO comes to town Sunday, April 6. Time is going to stand still.

ѻýI look back now, itѻýs like a whole genre,ѻý Bachman said, on the phone from his home in Victoria,  ahead of going on tour with BTO next month. ѻýItѻýs like Blues, or Jazz. Classic Rock, itѻýs a thing all over the world.

And Iѻým so grateful for the blessing of having started ѻý in the mid-60s with the Guess Who, and living through the wonderful period of time from about ѻý61 or 62,ѻý to the late ѻý70s when Disco came in ѻý 14 years of amazing Classic Rock.ѻý

The early ѻý70s was a fertile, inventive time for music. ѻýThere was so much happening musically,ѻý Bachman said. ѻýAnd it was almost like people were waiting for BTO to arrive on the scene.ѻý

A song has a unique power to grow beyond itѻýs original writing ѻý an organic quality that leads it to take on a life of its own, to become something greater than its writer, and to exist outside the time it was created. This is perhaps nowhere more true than in the case of ѻýTaking Care of Business.ѻý The hit from BTOѻýs second album, released in December, 1973. That song in particular has achieved an almost mythological status.

ѻýѻýTaking Care Of Businessѻý has become universal," Bachman said in an interview with The Townsman. "It is used as a sports anthem ѻý kids at summer camp sing it, high school bands play it, symphonies play it. Presidential candidates have used it for theme songs. The world record for most guitar players have played it ѻý"

"Taking Care Of Businessѻý took seven years to write, Bachman says.

ѻý[I first] wrote it in the late ѻý60s, as ѻýWhite Collar Worker.ѻý It died. Because I was copying ѻýPaperback Writer,ѻý And I threw away the choruses, just kept the verses. And [one night] we sang the new hook ѻý ѻýtaking care of businessѻý ѻý on stage live. And it was magical. The crowd went crazy, and they still go crazy every night.ѻý

Bachman Turner Overdriveѻýs origin story is also legendary in the annals of Rock history. Bachman, of course, a founding member of The Guess Who, was already in the thick of Rock and Roll with that band, experiencing international success and hit songs, and the accompanying grind and all the turbulence that comes with that success.

ѻýIt was survival of the fittest, honestly,ѻý he said. ѻýI left The Guess Who ѻý it was 1970 ѻý it was not a great time in my life. To leave a band ѻý punks from Winnipeg, whoѻýd had a number one album and single in the worldѻý [American Womanѻý].ѻý

It was then Bachman developed a medical issue, and had to stay home in Winnipeg for three months.

ѻýThey went on without me. And suddenly Iѻým out of the band. And I want to start over, but I canѻýt compete with the magic voice of Burton Cummings, one of the greatest singers in the world. Still today.

ѻýI didnѻýt want to be second-rate Guess Who. I can write Guess Who pop songs, but I didnѻýt want to do that anymore.

So Bachman formed a Country Rock band ѻý Brave Belt.

ѻýWe all liked Country Rock, so I started a band called Brave Belt, doing Country Rock. Buffalo Springfield had broken up, Poco had broken up, the Eagles hadnѻýt quite started yet, theyѻýre still backing Linda Ronstadt. Neil Young got me a deal with Reprise Record in L.A. I fly down there, I do two Brave Belt albums, they kind of like it, but it just doesnѻýt click. Weѻýre not in L.A. playing the Whiskey a Gogo, weѻýre in Winnipeg, right? Weѻýre too far away. And then they say, ѻýwe gotta drop you.ѻý

ѻýThen I had a guy in New York tell me having a name of a band that doesnѻýt do you any good. No one knows who this new band is. Use your name, itѻýs under all these records ѻý ѻýNo Time,ѻý ѻýAmerican Woman,ѻý ѻýSheѻýs Come Undone ѻý you gotta go with name recognition. Use the name Bachman.ѻý

At this time, Bachman said, he couldnѻýt get anyone to join his band.

ѻýNobody would play with me, after leaving the Guess Who, the golden boys. So I had to go to my younger brothers [Robbie and Tal]. We start a band with Fred Turner, who Iѻýve known since I was 15 or 16. And we became Bachman-Turner ѻý three Bachmans and a Turner.

ѻýThat was the early ѻý70s. At the time there was Seals and Crofts, Brewer and Shipley ['One Toke Over The Line'] ѻý two guys with guitars. So we go in as Bachman-Turner, people think weѻýre a folk act with two guys. Weѻýre trying to get people up dancing. Iѻým trying to evolve out of Country Rock into something heavier, that people will dance to. And weѻýre getting nowhere, but we keep trying.ѻý

Then, in an almost apocryphal story, Bachman picked up a trucker magazine at a Husky truck stop in Windsor, called ѻýOverdrive. ѻýA trucking term, but no one had ever used it in music,ѻý Bachman said. He sought and got permission from the publisher to use the name Overdrive in the band.

ѻýWe called the label, weѻýre going to be called Bachman Turner Overdrive. They said, 'wow, those are three powerful words, but itѻýs too long.' I said, we can call it BTO. They said, ѻýThatѻýs it!ѻý

BTOѻýs eponymous first album, was released in May, 1973. Shortly after its release, the band got a call from Scott Shannon, a programming director in St. Louis. Missouri.

ѻýHe said, ѻýI just got your album. I really like it. Nobodyѻýs is playing it, but I think thereѻýs something there. Iѻým doing the same thing with a couple other friends of mine ѻý Billy Gibbons from ZZ Top, Pat Johnson from the Doobie Brothers, Charlie Daniels, the Alllman Brothers. You guys come and play my drive-in movie theatre, weѻýre going to have a rock and roll weekend.'ѻý

And so it happened. From there to New Orleans, and on tour with ZZ Top et al.

ѻýEverybody thought we were a southern band. Weѻýre getting no airplay in Canada. And then the second album comes out, and we hit it lucky, with ѻýLet It Ride,ѻý and ѻýTaking Care of Businessѻý ѻý top 40 singles. And weѻýre selling millions of albums and millions of singles.

ѻýAnd suddenly, weѻýre on top, and we donѻýt even know it. Because weѻýre on the road, 300 days a year in a station wagon, and we donѻýt know whatѻýs going on in the world ѻý thereѻýs no MTV, thereѻýs no news or internet. Weѻýre struggling from gig to gig. And suddenly we hit number one again, with the Not Fragile album, and ѻýYou Ain't Seen Nothinѻý Yet.ѻý

ѻýThree solid years on the road. Three hundred gigs a year. Thatѻýs what paid off. We worked and worked and worked.ѻý

And the timing, after all, was right. The music was an idea whoѻýs time had come.

ѻýPeople were looking for something a little bit heavier,ѻý Bachman said. ѻýZeppelin was coming out. Things were getting away from the Beatles, and Pop music. This is like heavy, heavy guitars, which became heavy metal. It was a great genre to be in. Heavy pop, and suddenly, heavy rock.ѻý

The original BTO line-up of Randy Bachman, Fred Turner, Tim Bachman, and Robbie Bachman released two albums in 1973. Blair Thornton joined in 1974, in place of Tim Bachman, and this line-up released four albums between 1974 and 1977, including two that reached the top 5 in the U.S. pop charts.

As the '70s moved into the '80s, through changing times and changing personnel, BTO released several more albums. The band disbanded in early 1980, reunited some year later, took a hiatus in the early 2000s. But their hit songs never went away.

And now, Randy Bachman has revived the band and is hitting the highway this year on a tour that hits B.C. in April. Joining Bachman are his son Tal Bachman on lead vocals and guitar, Koko Bachman on drums, Lance LaPointe on bass and vocals and Brent Howard on guitar and vocals.

Their aim is to electrify the crowd and see them get up and dance.

"The whole trick of our tour thing is people having fun and dancing," Bachman said. "And if you can do that when youѻýre a kid ѻý and we were back in the ѻý60s and ѻý70s ѻý then youѻýre lucky.

"And to get to now, 50 years later, and playing the same 18 or 20 songs, and having everybody, of all ages, from five and six to 95, reacting to these songs ѻý dancing, singing, playing air guitar, playing air drums, reliving moments of joy that are long forgotten, because nobody knows what the hell is happening tomorrow ѻý playing this music just unlocks memories for everybody."

B.C. tour dates:

April 1: Save-ON-Foods Memorial Centre, Victoria

April 3: Abbotsford Centre, Abbotsford

April 4: SOuth Okanagan Events Centre, Penticton

April 6, Western Financial Place, Cranbrook

April 8, CN Centre, Prince George

More information on the tour is.

 

 



Barry Coulter

About the Author: Barry Coulter

Barry Coulter had been Editor of the Cranbrook Townsman since 1998.
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