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Mother Natureѻýs fingerprints

Architect Michael Green, building with wood, and the art of life
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- Words Lin Stranberg  Photography by Julia Logliscia

Vancouver architect Michael Green is internationally known for his inventive, enviro-forward building styleѻýespecially when it comes to wooden buildings.

His accolades and awards are numerous, but he is not interested in lingering on past achievements. Instead, Michael appears to leap effortlessly from one passionate terrain to the next, as he amasses adventures and fulfills his creative drive through architecture and storytelling.

Michael founded in 2012 and heads up with fellow principal Natalie Telewiak, is a hive of activity, pushing the limits of mass timber construction as the firm designs projects that range from private homes to large-scale master plans.

The busy Kitsilano studio has completed some of the most significant timber buildings in the world, including T3 in Minneapolis (Timber, Technology, Transit), which was the tallest wood structure in the US at the time of completion in 2016, and the Wood Innovation and Design Centre in Prince George, the tallest modern all-timber structure in the world when it was finished in 2014.

MGA has been recognized with more than 40 international awards for design excellence, including the Royal Architectural Institute of Canada Firm of the Year, Architizerѻýs Best in North America Firm Award, four Governor Generalѻýs Medals, two RAIC Innovation Awards, and the American Institute of Architects Innovation Award.

Most days, Michael drives over from his Kits Point home in his classic 1959 Range Rover Series II, now an electric vehicle. Converting older cars into electric vehicles is one of his latest passions, and he is enthusiastic about turning it into a new project called Adventure Green. It may have already happened. Details are blurred when he discusses the things that matter most to him: family, adventure, impact, meaning, responsibility, purpose.

ѻýAll these things to me are really beautiful,ѻý he says. ѻýAnd serviceѻýhow we show up and what we do when we are there.ѻý

Recognized as a global leader in wood construction and innovation, he serves as a government policy advisor on mass timber design, and speaks internationally on the subject of mass timber and new building technology. Alongside Jim Taggart (editor of Sustainable Architecture and Building Magazine), Michael co-authored the 2020 book Tall Wood Buildings: Design, Construction and Performance.

His 2013 TED talk, ѻýWhy We Should Build Wooden Skyscrapers,ѻý has been viewed more than 1.4 million times. Itѻýs absorbing and personal, especially when he describes why wood is the material he loves the most, and not simply for its ability to sequester carbon.

ѻýPart of the reason I love it is that every time people go into my buildings that are wood, I notice they react completely differently. Iѻýve never seen anybody walk into one of my buildings and hug a steel or a concrete column, but Iѻýve actually seen that happen in a wood building,ѻý he says.

ѻýIѻýve actually seen how people touch the wood, and I think thereѻýs a reason for it. Just like snowflakes, no two pieces of wood can ever be the same anywhere on Earth. Thatѻýs a wonderful thing. I like to think that wood gives Mother Nature fingerprints in our buildings. Itѻýs Mother Natureѻýs fingerprints that make our buildings connect us to nature in the built environment.ѻý

Nature and adventure are pivotal to his being.

ѻýLife is an adventure,ѻý he says, speaking like someone who knows. His adventures are bigѻýheѻýs an ice and mountain climberѻýand next fall heѻýs heading to a peak in Nepal.

ѻýMy adventures inform a lot of my choices,ѻý he says. ѻýBy going into nature we find our centreѻýand thatѻýs a big part of the art of life.ѻý

He was born in the northerly hamlet of Qamaniѻýtuaq in Nunavut (formerly Baker Lake in the Northwest Territories) and grew up in Vancouver, which he considers his hometown. His family history has led him to adventure, he says.

ѻýThe risk tolerance Iѻýve developed in climbing spills over into my life. It informs and inspires my architecture.ѻý

What those risks look like, and what is inherent in them, can determine how his life unfolds. He is known for architecture, but itѻýs his range of interests that form who he is as an architect. He and his son have kayaked off several continents, including Antarctica, and he writes childrenѻýs books to ѻýhelp nurture deeply creative children.ѻý

He says he has written more than 14 childrenѻýs stories; the one he mentions frequently is Alpenglow, a story he wrote and illustrated about concentric rings of support planted for a windblown alpine flower. He wrote it in the context of designing a 72-family Ronald McDonald House in Vancouver, also modelled on a concentric support rings concept, designed specifically to foster strength of community.

Michaelѻýs creative process combines worlds within worlds of the things he lovesѻýarchitecture, art and the making of thingsѻýaltering preconceptions and firing imaginations with his visionary analogies and shared stories.

ѻýStorytelling remains one of the most important of the arts, and I tell my stories through buildings for community, family, climate, and to protect the world for our children and our childrenѻýs children.ѻý

Story courtesy of , a Black Press Media publication
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