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Upon reflectionѻý

West Kelowna artist Paul Butvila finds his niche
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- Words by David Wylie Photography by Don Denton

Paul Butvila doesnѻýt fit the mould of the traditional Canadian artist.

His fascination with fantasy, realism and popular culture has earned him rejections from so many galleries over the years that at one point he threw his paints and brushes into the garbage.

ѻýIt got me on such a downer and I quit,ѻý he said in an interview from his West Kelowna studio. ѻýIѻýd had enough of getting rejections from Canadian galleries telling me to be more serious and stop fooling around with this fantasy stuff. They admire the ability to paint the way I do, they just donѻýt feel that the subject matter is salable. If I didnѻýt love painting, I would have given it up a long time ago.ѻý

Paul, 68, persisted and began gaining traction with his larger-than-life ѻýGotta Wear Shadesѻý series, featuring beautiful women with reflections in their glasses. He favours airbrushingѻýa technique often used in the customization of collectible carsѻýto create his works. Itѻýs a method that fits perfectly with his fascination with classic vehicles and flashy chrome.

Painting has always involved a certain measure of persistence for Paul, whose parents bought him his first oil painting set when he was 15 years old.

ѻýI proceeded to paint two paintings, small ones, landscapes that I made up out of my head, and found out how bad it was. I figured thereѻýs no way I was going to do this and gave up. Paul would copy pictures from the covers of TV Guides: actors, actresses and also cartoon characters.

At about 20 years old, he found inspiration in fantasy book coversѻýparticularly those done by artist Boris Vallejo, whose hyper-representational paintings earned him a dedicated following. Paul bought books with Vallejoѻýs covers as they became available.

Indeed, fantasy art was pervasive at the time.

ѻýA lot of guys in the 1970s were copying Frank Frazettaѻýs paintings on their vans. I had one of those vans,ѻý he said with a laugh.

Paul brought the fantasy books to art classes, trying to learn how to emulate them, but he couldnѻýt get the knack. He decided to try going to the source. Paul knew Vallejo lived in New York and he managed to track down his number through the telephone directory. ѻýI dialled the number and this fella answered with a heavy Spanish accent. And I said ѻýis this Boris, the artist?ѻý He said ѻýyeah it is.ѻý I said ѻýwow, cool!ѻý Back then, he was quite accessible.ѻý

The two got talking and Vallejo said to look him up if he was in New York. He accepted it as an invitation. He stayed with him for about a week in Yonkers, NY, and watched him paint every day, sitting beside him for eight hours.

After that week, Paul went home and started painting againѻýand the results were much improved. Eventually he was able to recreate Vallejoѻýs work almost exactly.

For about five years after that one-on-one training, Paul painted his own fantasy works.

ѻýI got relatively okay at it, but there was no real market in Canada for fantasy art. That was all in the US, and it was all for publication illustrations,ѻý he said.

He transitioned into painting realismѻýfocusing especially on chrome, motorcycles, buildings with glass reflections and water. He still struggled to make sales.

ѻýI think Canada is really into trends and stuff that is appealing to more people, a wider audience. And when they see stuff that I do, the audience is quite narrow,ѻý he said. ѻýGalleries would say itѻýs too trendy and just a fad, so I started approaching galleries in the States and at the age of about 50, I started getting a little bit of recognition with a few galleries with my realism work.ѻý

Paulѻýs own unique style began to emerge. He started to earn a following of his own, especially outside of Canada. Heѻýs since been picked up by Skye Art Gallery in Las Vegas as well as Plus One Gallery in London, England. Heѻýs about to send a new collection to a gallery in Hawaii.

In Canada, Paulѻýs work is at Karmyc Bazaar in Kelowna, Tumbleweed Gallery in Penticton and Grant Berg Gallery in Grande Prairie.

His sensual art has also been displayed at Ex Nihilo winery in Lake Country.

Paul has been working on a series called ѻýpaintings of the stars,ѻý where he cuts aluminum into star shapes that are 18 inches in diameter, and then airbrushes portraits of Hollywood actors.

ѻýI like aluminum because with airbrushing the smoother the surface the better, and you can get higher detail,ѻý he said.

Paul stopped using oil paints about 10 years ago, choosing instead to airbrush with acrylic paints. It dries instantly which allows him to work quickly, he said.

ѻýIѻýve been painting for 45 years, so I think the overnight success happens at year 50,ѻý he said. ѻýSo weѻýre getting close.ѻý

Story courtesy of , a Black Press Media publication
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