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Water world

FATHOM delivers unique, seafood-forward experience
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- Words by Tess Van Straaten Photography by Don Denton

I can smell the woodsy, campfire-like aroma well before I see executive chef Peter Kim coming out of the kitchen at ѻýone of Victoriaѻýs most exciting new restaurants. Heѻýs carrying what looks like a large glass ball filled with smoke and a bed of shells, stones and moss cradling my appetizer and invoking the ocean and forests of Vancouver Island.

ѻýIt not only gives the show aspect, it also gives a nice, very pleasant taste with the grilled bread, and the hickory goes very well with the beef tartare,ѻý Peter says, smoke wafting out as he removes the sourdough bread from the top of the beef tartare smoke bowl.

Itѻýs my first taste of what the Hotel Grand Pacificѻýs new restaurant, which opened earlier this year, has to offer. Decorated in muted greys and greens and a deep, sea blue with gold accents, FATHOMѻýs décor and menu are inspired by the oceanѻýjust like this Inner Harbour restaurantѻýs name.

ѻýA fathom is a unit of measurement for how deep below the sea youѻýre getting, and weѻýre a seafood-centric restaurant. So, the idea for the design is that it goes from lighter to darker, like the ocean, and as you get into the lounge, youѻýre exploring the depths of the sea,ѻý explains Hotel Grand Pacific marketing guru Becca Penner.

I decide to dive right in, sampling the sweet and juicy scallops served on a spring pea risotto with ginger scallop mousse and accented with an edible shell hand-crafted from phyllo dough and pressed against an actual scallop shell to make the perfect impression.

ѻýWe have to tell people it isnѻýt an actual shell or they wonѻýt eat it!ѻý Peter says with a laugh.

Peter came to the hotel from Vancouver almost a year and a half ago after working in some of the cityѻýs top hotels and eateries. Heѻýs also worked throughout the Pacific Rim, including San Francisco, Singapore and Australia. He says his inspiration for FATHOM was to create dishes that are unique and sustainable.

ѻýWhen someone asks me what the concept of our menu is, I joke that itѻýs something I would love to eat. But we want something that will be well-received by locals and also very sustainableѻýsomething that is ethically grown and sourced and harvested,ѻý Peter explains. ѻýI think itѻýs also the responsibility of chefs and the people in the industry to showcase itemsѻýboth in how theyѻýre created and how theyѻýre presentedѻýto bring out the best flavours.ѻý

My next dish, a delicious chicken karaage, packs a flavour-packed punch with some heat, some crunch from crushed cashews, and just the right amount of crispy coating for a unique take on Japanese fried chicken.

ѻýItѻýs a little twist with the Korean version,ѻý Peter says. ѻýWhile we marinade it in the traditional Japanese style, we toss it with the gochujang glaze, so it gets a nice balance of the heat, but a lot of taste with the ginger and garlic.ѻý

Itѻýs already a huge hit among staff and patrons, but Peter says his absolute favourite item on the menu is the sablefish, which is served with a kabayaki glaze and a house-made prawn cake with a cauliflower puree and nori sand.

ѻýIt is a dish Iѻýd collaborated on with chefs I worked with in Vancouver, but Iѻýve added my own twist to it with a little bit of Korean in there and a little bit of Japanese fusion as well,ѻý he says. ѻýI think itѻýs something thatѻýs really unique in the food scene here in Victoria.ѻý

Taking my first bite of the sablefish, I experience layers of flavour. It almost has a deep smokiness to it. I can see why Peter loves it, but he says thereѻýs no such thing as perfection.

ѻýIf we say our menu is perfect, our restaurant is perfect, our team is perfect, then thereѻýs no room for growth and thereѻýs no more room for creativity,ѻý he explains. ѻýWeѻýre continuously evolving and looking to create new seasonal dishes to use what the harvesters, growers and forager who we work with provide, and make something that is edible as well as beautiful to the eye.ѻý

FATHOMѻýs new hand-crafted cocktail menu is also taking its inspiration from the sea, with the help of brand and beverage consultant Soren Schepkowski.

ѻýWeѻýre going to go with the fathom idea, separating the cocktails into different zones: so, the sunlight zone, the twilight zone, the midnight zone, the trenches and the abyss, depending on how adventurous you want to be,ѻý Becca explains. ѻýThe deeper down, the more spirit-forward, heavy flavours there are. Whereas at the top, in the sunlight zone, theyѻýre lighter and more approachable.ѻý

I decided to splash down past the lighter zones to midnight for a cocktail called Donѻýt Say Rabbit, which is like a black Manhattan. A smooth sipper, itѻýs made with Jura 12 Whiskyѻýone of the 160-plus whisky options on the menu. FATHOM is also working with Devine Distillery on the Saanich Peninsula to create its own house whisky.

ѻýOur goal now is to become a local hot spot and more of a go-to spot for locals, especially people in the foodie community, as well as a must-do for tourists,ѻý Becca says.

As I decide to have one last piece of the chicken karaage, I know Iѻýll be back for more.

Story courtesy of , a Black Press Media publication
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